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41th César Awards Nominations

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This morning in Fouquet's restaurant on Champs Elysees the Academy President Alain Terzian held a press conference to announce the nominations for the current edition of the awards that honor French cinema. Along with Florence Foresti, who will be hosting the ceremony, announced the 118 nominees in the #César2016.

This year the Honorary César goes to Michael Douglas and the award will be presented on Friday, February 26 at Théâtre du Châtelet in Paris with Florence Foresti hosting the ceremony for the very first time.

There are 50 films plus 113 artists and technicians with a nomination from the 4,509 Academy members that could vote and that selected them from a total of 642 films and 3,625 people submitted for consideration for this edition.

Marguerite leads the pack with 11 nominations followed closely by Trois souvenirs de ma jeunesse with 10, Dheepan and Mustang with 9 each, then Mon roi and La Tête haute with 8 nominations each. Out of these six films only one was not in 2015 Cannes as Marguerite premiered in Venice 2015.

This year there are some interesting stats but believe none are more relevant in the world cinema industry than the unusual presence of nominated female directors, as out of the seven (7) Best Director nominees three (3) are female: Emmanuelle Bercot, Deniz Gamze Ergüven and Maïwenn; also noteworthy is that out of the eight (8) Best Film nominees, three (3) are by the same female directors,



Most remarkable are the 14th nomination for Catherine Deneuve plus Isabelle Huppert with her 15th time; both have already won before, Deneuve in 1981 and 1992, Huppert in 1996. Consequently there are five actresses haven't collected a César in the Best Actress category.

Gérard Depardieu collects his 17th nomination, he already won twice in 1981 and 1991; also with a win in 2009 Vincent Cassel collects his 4th nomination. As with the actresses, there are five actors that get a nomination for the first time.



Best Film
Dheepan, Jacques Audiard
Fatima, Philippe Faucon
La loi du marché (The Measure of a Man), Stéphane Brizé
Marguerite, Xavier Giannoli
Mon roi, Maïwenn
Mustang, Deniz Gamze Ergüven
La tête haute (Standing Tall), Emmanuelle Bercot
Trois souvenirs de ma jeunesse (My Golden Days), Arnaud Desplechin

Best Debut Film
L'affaire SK1 (SK1), Frédéric Tellier
Les Cowboys (Cowboys), Thomas Bidegain
Mustang, Deniz Gamze Ergüven
Ni le ciel ni la terre (The Wakhan Front), Clément Cogitore
Nous trois ou rien (All Three of Us), Kheiron

Best Documentary Film
El botón de nácar (The Pearl Button), Patricio Guzmán
Cavanna, jusqu'à l'ultime seconde j'écrirai, Denis Robert and Nina Robert
Demain (Tomorrow), Cyril Dion and Mélanie Laurent
L’image manquante (The Missing Picture), Rithy Panh
Une jeunesse allemande (A German Youth), Jean-Gabriel Périot

Best Animated Feature
Adama, Simon Rouby
Avril et le monde truqué (April and the Extraordinary World),Christian Desmares and Franck Ekinci
Le Petit Prince (The Little Prince), Mark Osborne

Best Foreign Film
Birdman, Alejandro González Iñárritu
Saul Fia (Son of Saul), Laszlo Nemes
Je suis mort mais j'ai des amis, Guillaume and Stéphane Malandrin
Mia Madre (My Mother), Nanni Moretti
Taxi, Jafar Panahi
Le Tout Nouveau Testament (The Brand New Testament), Jaco van Dormael
Youth, Paolo Sorrentino

Best Director
Jacques Audiard for Dheepan
Stéphane Brizé for La loi du marché (The Measure of a Man)
Xavier Giannoli for Marguerite
Maïwenn for Mon roi
Deniz Gamze Ergüven for Mustang
Emmanuelle Bercot for La tête haute (Standing Tall)
Arnaud Desplechin for Trois souvenirs de ma jeunesse (My Golden Days)

Best Actress
Loubna Abidar in Zin li fik (Much Loved)
Emmanuelle Bercot in Mon roi
Cécile de France in La Belle Saison (Summertime)
Catherine Deneuve in La tête haute (Standing Tall)
Catherine Frot in Marguerite
Isabelle Huppert in Valley of Love
Soria Zeroual in Fatima

Best Supporting Actress
Sara Forestier in La tête haute (Standing Tall)
Agnès Jaoui in Comme un avion (The Sweet Escape)
Sidse Babett Knudsen in L'Hermine (Courted)
Noémie Lvovsky in La Belle Saison (Summertime)
Karin Viard in 21 nuits avec Pattie (21 Nights with Pattie)

Most Promising Actress
Camille Cottin in Connasse, princesse des cœurs (The Parisian Bitch)
Sara Giraudeau in Les bêtises
Zita Hanrot in Fatima
Diane Rouxel in La tête haute (Standing Tall)
Lou Roy-Lecollinet in Trois souvenirs de ma jeunesse (My Golden Days)

Best Actor
Jean-Pierre Bacri in La vie très privée de monsieur Sim (The Very Private Life of Mister Sim)
Vincent Cassel in Mon roi
François Damiens in Les Cowboys (Cowboys)
Gérard Depardieu in Valley of Love
Anthonythasan Jesuthasan in Dheepan
Vincent Lindon in La loi du marché (The Measure of a Man)
Fabrice Luchini in L'Hermine (Courted)

Best Supporting Actor
Michel Fau in Marguerite
Louis Garrel in Mon roi
Benoît Magimel in La tête haute (Standing Tall)
André Marcon in Marguerite
Vincent Rottiers in Dheepan

Most Promising Actor
Swann Arlaud in Les Anarchistes
Quentin Dolmaire in Trois souvenirs de ma jeunesse (My Golden Days)
Félix Moati in À trois on y va (All About Them)
Finnegan Oldfield in Les Cowboys (Cowboys)
Rod Paradot in La tête haute (Standing Tall)

Best Original Screenplay
Noé Debré, Thomas Bidegain and Jacques Audiard for Dheepan
Xavier Giannoli for Marguerite
Deniz Gamze Ergüven and Alice Winocour for Mustang
Emmanuelle Bercot and Marcia Romano for La tête haute (Standing Tall)
Arnaud Desplechin and Julie Peyr for Trois souvenirs de ma jeunesse (My Golden Days)

Best Adaptation
David Oelhoffen and Frétéric Tellier for L'affaire SK1 (SK1)
Samuel Benchetrit for Asphalte (Macadam Stories)
Vincent Garenq and Stéphane Cabel for L'enquête (The Clearstream Affair
Philippe Faucon for Fatima
Hélène Zimmer and Benoît Jacquot for Journal d'une femme de chambre (Diary of a Chambermaid)

Best Cinematography
Eponine Momenceau for Dheepan
Glynn Speeckaert for Marguerite
David Chizallet for Mustang
Irina Lubtchansky for Trois souvenirs de ma jeunesse (My Golden Days)
Christophe Offenstein for Valley of Love

Best Editing
Juliette Welfling for Dheepan
Cyril Nakache for Marguerite
Simon Jacquet for Mon roi
Mathilde Van de Moortel for Mustang
Laurence Briaud for Trois souvenirs de ma jeunesse (My Golden Days)

Best Original Score
Raphaël for Les Cowboys (Cowboys)
Ennio Morricone for En mai, fais ce qu'il te plaît
Stephen Warbek for Mon roi
Warren Ellis for Mustang
Grégoire Hetzel for Trois souvenirs de ma jeunesse (My Golden Days)

Best Sound
Daniel Sorbino, Valérie Deloof and Cyril Holtz for Dheepan
François Musy and Gabriel Hafner for Marguerite
Nicolas Provost, Agnès Ravez and Emmanuel Croset for Mon roi
Ibrahim Gök, Damien Guillaume and Olivier Goinard for Mustang
Nicolas Cantin, Sylvie Malbrant and Stéphane Thiébaut for Trois souvenirs de ma jeunesse (My Golden Days)

Best Costumes
Anaïs Romand for Journal d'une femme de chambre (Diary of a Chambermaid)
Pierre-Jean Laroque for Marguerite
Selin Sözen for Mustang
Catherine Leterrier for L'odeur de la mandarine (The Scent of Mandarine)
Nathalie Raoul for Trois souvenirs de ma jeunesse (My Golden Days)

Best Production Design
Michel Barthélémy for Dheepan
Katia Wyszkop for Journal d'une femme de chambre (Diary of a Chambermaid)
Martin Kurel for Marguerite
Jean Rabasse for L'odeur de la mandarine (The Scent of Mandarine
Toma Baqueni for Trois souvenirs de ma jeunesse (My Golden Days)

Best Animated Short
La nuit américaine d'Angélique, Pierre-Emmanuel Lyet and Joris Clerté
Le repas dominical (Sunday Lunch), Céline Devaux
Sous tes doigts, Marie-Christine Courtès
Tigres à la queue leu leu, Benoît Chieux

Best Short Film
La contre-allée (Back Alley), Cécile Ducrocq
Le dernier des Céfrancs (The Last of the Frenchmen), Pierre-Emmanuel Urcun
Essaie de mourir jeune, Morgan Simon
Guy Moquet, Demis Herenger
Mon héros, Sylvain Desclous

To check the official announcement go here available only in French and as a pdf file.  All films with at least one nomination will be screened from February 10 to 16 at Le Balzac cinema and from Febraury 17 to 23 at Les 3 Luxembourg cinema. The second round of votes will give the winners that will be announced at the awards ceremony on Friday, February 26 .



63rd Annual MPSE Golden Reel Awards Nominations

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A couple of days back the Motion Picture Sounds Editors announced their nominations for the current edition of the Golden Reel Awards. Nominees represent the work of the world’s most talented sound artists and their contributions to the past year’s most outstanding feature film, television, animation and computer entertainment productions.

“This year’s Golden Reel nominees have produced an outstanding body of work encompassing motion pictures, television, documentaries, gaming and other mediums,” said MPSE president Frank Morrone. “Our members continue to impress with their ability to develop new techniques and find creative ways to employ sound as a means of enriching storytelling. We congratulate all of this year’s nominees for their achievements.”



The MPSE Golden Reel Awards recognize outstanding achievement in sound editing in 24 categories encompassing feature films, television, animation, computer entertainment and student work. The 63rd MPSE Golden Reel Awards will be held February 27, 2016 at the Westin Bonaventure Hotel and Suites in Los Angeles.

The MPSE Filmmaker Award this year goes to Sam Raimi and the MPSE Career Achievement Award to Richard King.

Best Sound Editing: Sound Effects & Foley in a Feature Film
Shannon Mills and Daniel Laurie for Ant-Man
Al Nelson and Gwendolyn Yates Whittle for Jurrasic World
Mark Mangini and Scott Hecker for Mad Max - Fury Road
Alan Murray for Sicario
Mandell Winter for Southpaw
Matthew Wood for Star Wars: The Force Awakens
Oliver Tarney for The Martian
Lon Bender, Randy Thom, and Martin Hernandez for The Revenant

Best Sound Editing: Sound Effects, Foley, Dialogue & ADR in an Animation Feature Film
Aaron Glacock and Christopher S. Aud for Anomalisa
Geoffrey Rubay for Hotel Transylvania 2
Shannon Mills and Ren Klyce for Inside Out
Dennis Leonard for Minions
Anthony Bayman and Adrian Rhodes for Shaun The Sheep Movie
Shannon Mills for The Good Dinosaur
Gwendolyn Yates Whittleand Randy Thom for The Peanuts Movie

Best Sound Editing: Music Score in a Feature Film
Ronald Webb for Creed
Paul Apelgren for Jupiter Ascending
Paul Apelgren for Jurassic Wold
Bob Badami for Mad Max: Fury Road
John Finklea for Mission: Impossible - Rogue Nation
Paul Apelgren for Star Wars: The Force Awakens
Tony Lewis for The Martian
Martin Hernandez for The Revenant

Best Sound Editing: Music in a Musical Feature Film
Nicholas Renbeck for Love & Mercy
Amanda Goodpaster for Pitch Perfect 2
Jason Ruder for Straight Outta Compton

Best Sound Editing: Sound Effects, Foley, Dialogue & ADR in a Foreign Feature Film
Frederick Le Louet and Enrique Greiner for Días de Gracia
Markus Glunz and Peter Staubli for Northmen - A Viking Saga
Tamas Zanyi for Saul Fia (Son of Saul)
Resul Pookutty, MPSE and Amrit Pritam Dutta for Unfreedom

Best Sound Editing: Documentary Feature Film
Mark Stoeckinger and Luke Gibleon for A Faster Horse
Andy Shelley and Stephen Griffiths for Amy
Pete Horner for Best of Enemies
Cameron Frankley for Kurt Cobain: Montage Of Heck
Tim Nielsen and Christopher Barnett for Racing Extinction
Bob Bronow for The Wrecking Crew
Tony Volante for What Happened to Miss Simone
Oleg Kulchytskyi for Winter On Fire: Ukraine's Fight For Freedom

To check nominees in TV categories go official site here or official facebook post here.

66th Annual ACE EDDIE Awards Winners

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Last night the American Cinema Editors had their award ceremony and can't say that was a surprise that the Eddie for Best Edited Feature Film Dramatic went to Mad Max: Fury Road or finding a movie that is no comedy -and is the top runner for the Best Film Oscar- won in the comedy or musical category.

Imagine that Mad Max has become the front runner in AMPAS Best Film Editing category but the guild is not one of the largest and wonder what will happen when all qualifying voters vote in this category. Nevertheless past years stats suggests that the category winner could be the film directed by George Miller and edited by Margaret Sixel.

To check winners in TV and other categories go official site here. Winners are in *BLUE.

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1/2/16
Today the American Cinema Editors announced their nominations for the EDDIE Awards and there are some surprises but the biggest undoubtedly is the absence of Spotlight which many pundits expected to be included in most guilds nominations.

Worth mentioning that in 9 of the past 12 years, the winner of the Eddie for best edited dramatic feature has gone on to win the Oscar in film editing; so chances are that some EDDIE nominees could also get an Oscar nomination.

Awards ceremony will be on January 29 at the Beverly Hilton Hotel.

Best Edited Drama
*Margaret Sixel for Mad Max: Fury Road
Pietro Scalia for The Martian
Stephen Mirrione for The Revenant
Joe Walker for Sicario
Maryann Brandon and Mary Jo Markey for Star Wars: The Force Awakens

Best Edited Comedy or Musical
Dan Lebental and Colby Parker Jr. for Ant-Man
*Hank Corwin for The Big Short
Jay Cassidy, Alan Baumgarten, Christopher Tellefsen and Tom Cross for Joy
David Tracktenberg for Me and Earl and the Dying Girl
William Kerr and Paul Zucker for Trainwreck

Best Edited Animated Film
Garret Elkins for Anomalisa
*Kevin Nolting for Inside Out
Stephen Schaffer for The Good Dinosaur

Best Edited Documentary
*Chris King for Amy
Joe Beshenkovsky and Brett Morgen for Cobain: Montage of Heck
Andy Grieve for Going Clear: Scientology and the Prison of Belief
Greg Finton, Brian Johnson and Brad Fuller for He Named Me Malala
Claire Scanlon for The Wrecking Crew

To read the announcement at the official site and to learn the Television categories go here but they haven't post date yet. To fast check go news here.

5th AACTA International Awards Winners

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As I really like the winners, here is the official press release for the awards where we find great Mad Max: Fury Road plus the outstanding performances by Cate Blanchett and Rooney Mara in Carol honored by the Australian Film Institute (AFI) and the Australian Academy Cinema Television Arts (AACTA) in the 2016 edition of their international awards.

Some of the world’s biggest names in film joined their Australian peers in Hollywood last night to honor big-screen excellence from the last year at the 5th AACTA International Awards.

Rachel Griffiths and Daniel MacPherson opened the show, which will broadcast exclusively in Australia on Foxtel tomorrow night. Abbie Cornish, Miranda Otto, Angus Sampson, Jonathan LaPaglia, Radha Mitchell, Luke Bracey, Anna Torv and Phillip Noyce were among those who presented at the star-studded event, held at the historic Avalon Hollywood.

George Miller’s dystopian road war Mad Max: Fury Road stepped up its Oscars campaign, taking home two AACTA International Awards - Best Film and Best Direction. Competition was strong, with The Big Short and Carol also competing in both categories, alongside last year’s Best Film and Best Direction recipient, Alejandro González Iñárritu, who was this year nominated for The Revenant.

These wins follow an outstanding run for Mad Max: Fury Road at AACTA’s domestic Awards in Sydney last month, where the film received a total of eight Awards, including Best Film and Best Direction.

Set in sumptuous 1950s New York, Carol also received two AACTA International Awards tonight, with Rooney Mara awarded for Best Supporting Actress, and Cate Blanchett awarded for Best Lead Actress; performances which see both nominated for tomorrow night’s SAG Awards, and next month’s BAFTA's and Oscars. This marks Blanchett’s seventh AFI or AACTA Award over the past 19 years, including an AACTA International Award for her performance in Bkue Jasmine.

Bride of Spies, The Revenant and Spotlight received one award each tonight, seeing a total of five films awarded across seven categories - Best Film, Best Direction, Best Screenplay, Best Lead Actor, Best Lead Actress, Best Supporting Actor and Best Supporting Actress.

Competition in the Best Lead Actor category was fierce, with Leonardo DiCaprio (The Revenant) taking home the Award over Matt Damon (The Martian), past AACTA International Award nominees Steve Carell (The Big Short) and Eddie Redmayne (The Danish Girl), and past winner Michael Fassbender (Steve Jobs).

The win marks Leonardo DiCaprio’s second award from the Australian Academy, following a Best Lead Actor Award for The Great Gatsby in 2014, and adds to an outstanding awards season for the powerhouse performer, including a Golden Globe Award, as well as Oscar, BAFTA and SAG Award nominations.

The AACTA International Award for Best Supporting Actor went to Mark Rylance for his portrayal of Soviet spy Rudolf Abel in Steven Spielberg’s Cold War thriller Bridge of Spies; a performance which also sees Rylance nominated for an Oscar, BAFTA and SAG Award.

Spotlight, the true story of The Boston Globe’s role in uncovering the massive scandal of child abuse and cover up by the Catholic Church, won the AACTA International Award for Best Screenplay, following strong competition from Carol, Ex Machina, The Martian and Steve Jobs.

AFI | AACTA CEO, Damian Trewhella, said: "The fifth year of the AACTA International Awards has again seen a dynamic mix of international and Australian achievement honored, celebrating some of the world’s biggest names in film, behind and in front of the camera. This year marks the first time we’ve seen an Australian film, Mad Max: Fury Road, win at our domestic Awards in Sydney and then again at our International Awards in LA, and we’re delighted to see our US and British counterparts also recognize this excellence with Oscar and BAFTA nominations.

Over the past five years we’ve seen AACTA International Award winners go on to win 16 BAFTAs and 14 Oscars, and we look forward with great anticipation to seeing if this trend again continues this year. We congratulate all winners, and wish them every success as we head towards the pointy end of this competitive Awards season.”

The AACTA International Awards will be telecast in Australia exclusively on Foxtel. The full show will be telecast on Sunday 31 January at 7:30pm on Foxtel Arts, and at 9:30pm on Arena, after which time it also be available on Australian online streaming service, Presto, until 29 February.

To read the press release with all the film categories nominees and winners go to the official site here.

In photo: Mad Max: Fury Road director, George Miller and Margaret Sixel the editor who last night also got the ACE Eddie top award.

22nd Annual Screen Actors Guild Awards Winners

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The show started very-well with wins in TV categories that absolutely approve (lol); then came the first film category, one that had 2 outstanding lead performances that for whatever reasons (we know them, don't we?) ended up as supporting actresses, the one that I was still wondering what could happen and the one where I was rooting for any of the 2 lead actresses to win.

The climax came when Alicia Vikander won for her remarkable lead performance in The Danish Girl and I was very glad, as glad as if Rooney Mara had won. Sigh. After came what was called "big surprise", which I don't think is a suprise as Idris Elba gave an extraordinary performance in Beasts of No Nation, the surprise was AMPAS choosing Stallone instead of Elba, but SAG put the supporting actor into the right context.



While kept being pleased with TV winners, things turned amok with the film categories as was still hoping SAG didn't fall for the DiCaprio and Brie trend but yes, they did. Last, there was no great choice for the ensemble and the actors guild selected to agree with film critics and honor Spotlight. Sigh.

SAG wins tell me that Alicia Vikander most likely will have an Oscar in her future, Oscar supporting actor is an open race, DiCaprio and Larson locked their Oscars plus there could be a race between The Big Short and Spotlight for the top Oscar. Honestly lost Oscars top award interest when Carol was not nominated. Sigh.

To check winners in all categories go official site here. Winners are in *BLUE.

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12/9/15
A few moments ago the Screen Actors Guild announced the nominations for outstanding performances in 2015 in five (5) film and eight (8) television categories, as well as the honors for outstanding action performances by film and television stunt ensembles.

My spontaneous reactions after the first and the largest guild nominations (most are Academy members and voters) is that there are too many surprises and not happy that both Rooney Mara and Alicia Vikander went to Supporting instead of Lead. Most are talking about the absence of Oscar front-runners in the Cast category, believe that Spotlight and The Big Short were already contenders and yes perhaps those missing are films like The Martian, Mad Max: Fury Road, and more I can't recall right now.

The most incredible snubs for me are Jennifer Lawrence in Joy and Kristen Stewart in Clouds of Sils Maria. Then it's an incredible achievement and surprise to find Helen Mirren with two nominations, one for Lead and another for Supporting.  Will not deny that I highly enjoy her performance in Woman in Gold, so shouldn't be a surprise but there was no reliable buzz that could predict this honor. Then Sarah Silverman instead of Lily Tomlin or Blythe Danner, for example, is quite incomprehensible for me.  Also with two (2) nominations Mark Rylance, one from TV and the other in Film.

Trumbo leads with three (3) nominations

Theatrical Motion Pictures

Outstanding Performance by a Cast in a Motion Picture

Beasts of No Nation: Abraham Attah, Kurt Egyiawan, and Idris Elba

The Big Short: Christian Bale, Steve Carell, Ryan Gosling, Melissa Leo, Hamish Linklater, John Magaro, Brad Pitt, Rafe Spall, Jeremy Strong, Marisa Tomei, and Finn Wittrock

*Spotlight: Billy Crudup, Brian D'Arcy James, Michael Keaton, Rachel McAdams, Mark Ruffalo, Liev Schreiber, John Slatery, and Stanley Tucci

Straight Outta Compton: Neil Brown, Paul Giamatti, Corey Hawkins, Aldis Hodge, O'Shea Jackson Jr., and Jason Mitchel

Trumbo: Adewale Akinnuoye-Agbaje, Louis C. K., Bryan Cranston, David James Elliot, Elle Fanning, John Goodman, Diane Lane, Helen Mirren, Michael Stuhlbarg, and Alan Tudyk

Outstanding Performance by a Female Actor in a Leading Role
Cate Blanchett in Carol
*Brie Larson in Room
Helen Mirren in Woman in Gold
Saoirse Ronan in Brooklyn
Sarah Silverman in I Smile Back

Outstanding Performance by a Female Actor in a Supporting Role
Rooney Mara in Carol
Rachel McAdams in Spotlight
Helen Mirren in Trumbo
*Alicia Vikander in The Danish Girl
Kate Winslet in Steve Jobs

Outstanding Performance by a Male Actor in a Leading Role
Bryan Cranston in Trumbo
Johnny Depp in Black Mass
*Leonardo DiCaprio in The Revenant
Michael Fassbender in Steve Jobs
Eddie Redmayne in The Danish Girl

Outstanding Performance by a Male Actor in a Supporting Role
Christian Bale in The Big Short
*Idris Elba in Beasts of No Nation
Mark Rylance in Bridge of Spies
Michael Shannon in 99 Homes
Jacob Tremblay in Room

Carol Burnett – comedic trailblazer, actor, singer, dancer, producer and author – has been named the 52nd recipient of SAG-AFTRA's highest tribute: the SAG Life Achievement Award for career achievement and humanitarian accomplishment. Burnett is known for her comedic and dramatic roles on television, film and Broadway, most notably The Carol Burnett Show. She counts multiple Emmys®, a special Tony®, the Presidential Medal of Freedom, a Kennedy Center Honor and the Mark Twain Prize for Humor among her preeminent industry and public honors.

To check nominations for TV and Stunts go to the official site here. Have to comment that is quite remarkable that Mad Max: Fury Road got NO major nomination in the main categories and the only nod is in the Stunt Ensemble in a Motion Picture, sigh.

Nevertheless undoubtedly this awards season will be interesting to follow as nothing makes sense up to this moment and we are almost in mid-December. Let's see what happens tomorrow with the Golden Globes nominations maybe we could start to see some clarity into this mess.

The Program

2016 Sundance Film Festival Awards Winners

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Last night the Sundance film festival had their awards ceremony and to my surprise the ceremony was streamed live but started when the SAG awards were still on, so watched very little. Nevertheless decided to include the winners as there are some films that I'm sure will travel the fest circuit during 2016 and will end-up with honors in the 2016-2017 awards season.

The ceremony is the culmination of the 2016 edition, which presented 123 feature-length and 72 short films -selected from 12,793 submissions- to independent film-loving audiences.

Jury prizes were awarded by six groups of film and culture leaders, who screened all films in their respective sections and jointly decided which standout artistic and story elements to recognize. This year’s jurors were: Simon Kilmurry, Jill Lepore, Shola Lynch, Louie Psihoyos, Amy Ziering, Mark Adams, Lena Dunham, Jon Hamm, Avy Kaufman, Franklin Leonard, Randall Poster, Fernanda Solórzano, Apichatpong Weerasethakul, Mila Aung-Thwin, Tine Fischer and Asif Kapadia. In addition, Festival audiences voted for their favorite films to receive five Audience Awards in each of the U.S. and World Competitions and NEXT.

Will share most of the official press release as there is a list of winners but also some info about each film; if you wish to read only the list of winners at the official site go here.

The U.S. Grand Jury Prize: Documentary was presented by Louis Psihoyos to: Weiner/ U.S.A. (Directors: Josh Kriegman, Elyse Steinberg) — With unrestricted access to Anthony Weiner's New York City mayoral campaign, this film reveals the human story behind the scenes of a high-profile political scandal as it unfolds, and offers an unfiltered look at how much today's politics is driven by an appetite for spectacle.

The U.S. Grand Jury Prize: Dramatic was presented by Franklin Leonard to: The Birth of a Nation / U.S.A. (Director and screenwriter: Nate Parker) — Set against the antebellum South, this story follows Nat Turner, a literate slave and preacher whose financially strained owner, Samuel Turner, accepts an offer to use Nat’s preaching to subdue unruly slaves. After witnessing countless atrocities against fellow slaves, Nat devises a plan to lead his people to freedom. Cast: Nate Parker, Armie Hammer, Aja Naomi King, Jackie Earle Haley, Gabrielle Union, Mark Boone Jr.

The World Cinema Grand Jury Prize: Documentary was presented by Asif Kapadia to: Sonita / Germany, Iran, Switzerland (Director: Rokhsareh Ghaem Maghami) — If 18-year-old Sonita had a say, Michael Jackson and Rihanna would be her parents and she'd be a rapper who tells the story of Afghan women and their fate as child brides. She finds out that her family plans to sell her to an unknown husband for $9,000.

The World Cinema Grand Jury Prize: Dramatic was presented by Apichatpong Weerasethakul to: Sand Storm / Israel (Director and screenwriter: Elite Zexer) — When their entire lives are shattered, two Bedouin women struggle to change the unchangeable rules, each in her own individual way. Cast: Lamis Ammar, Ruba Blal-Asfour, Hitham Omari, Khadija Alakel, Jalal Masrwa.

The Audience Award: U.S. Documentary, Presented by Acura was presented by Matt Ross to: Jim: The James Foley Story / U.S.A. (Director: Brian Oakes) — The public execution of American conflict journalist James Foley captured the world’s attention, but he was more than just a man in an orange jumpsuit. Seen through the lens of his close childhood friend, Jim: The James Foley Story moves from adrenaline-fueled front lines and devastated neighborhoods of Syria into the hands of ISIS.

The Audience Award: U.S. Dramatic, Presented by Acura was presented by Matt Ross to: The Birth of a Nation / U.S.A. (Director and screenwriter: Nate Parker) — Set against the antebellum South, this story follows Nat Turner, a literate slave and preacher whose financially strained owner, Samuel Turner, accepts an offer to use Nat’s preaching to subdue unruly slaves. After witnessing countless atrocities against fellow slaves, Nat devises a plan to lead his people to freedom. Cast: Nate Parker, Armie Hammer, Aja Naomi King, Jackie Earle Haley, Gabrielle Union, Mark Boone Jr.

The Audience Award: World Cinema Documentary was presented by Rose McGowan to:Sonita / Germany, Iran, Switzerland (Director: Rokhsareh Ghaem Maghami) — If 18-year-old Sonita had a say, Michael Jackson and Rihanna would be her parents and she'd be a rapper who tells the story of Afghan women and their fate as child brides. She finds out that her family plans to sell her to an unknown husband for $9,000.

The Audience Award: World Cinema Dramatic was presented by Rose McGowan to: Between Sea and Land / Colombia (Director: Carlos del Castillo, Screenwriter: Manolo Cruz) — Alberto, who suffers from an illness that binds him into a body that doesn’t obey him, lives with his loving mom, who dedicates her life to him. His sickness impedes him from achieving his greatest dream of knowing the sea, despite one being located just across the street. Cast: Manolo Cruz, Vicky Hernandéz, Viviana Serna, Jorge Cao, Mile Vergara, Javier Sáenz.

The Audience Award: NEXT, Presented by Adobe was presented by Taika Waititi to: First Girl I Loved / U.S.A. (Director and screenwriter: Kerem Sanga) — Seventeen-year-old Anne just fell in love with Sasha, the most popular girl at her L.A. public high school. But when Anne tells her best friend, Clifton—who has always harbored a secret crush on her—he does his best to get in the way. Cast: Dylan Gelula, Brianna Hildebrand, Mateo Arias, Jennifer Prediger, Tim Heidecker, Pamela Adlon.

The Directing Award: U.S. Documentary was presented by Amy Ziering to: Roger Ross Williams for his film Life, Animated/ U.S.A. (Director: Roger Ross Williams) — Owen Suskind, an autistic boy who could not speak for years, slowly emerged from his isolation by immersing himself in Disney animated movies. Using these films as a roadmap, he reconnects with his loving family and the wider world in this emotional coming-of-age story.

The Directing Award: U.S. Dramatic was presented by Mark Adams to: Daniel Scheinert and Daniel Kwan for their film Swiss Army Man / U.S.A. (Directors and screenwriters: Daniel Scheinert, Daniel Kwan) — Hank, a hopeless man stranded in the wild, discovers a mysterious dead body. Together the two embark on an epic journey to get home. As Hank realizes the body is the key to his survival, this once-suicidal man is forced to convince a dead body that life is worth living. Cast: Paul Dano, Daniel Radcliffe, Mary Elizabeth Winstead.

The Directing Award: World Cinema Documentary was presented by Mila Aung Thwain to: Michal Marczak for his film All These Sleepless Nights / Poland (Director: Michal Marczak) — What does it mean to be awake in a world that seems satisfied to be asleep? Kris and Michal push their experiences of life and love to a breaking point as they restlessly roam the city streets in search of answers, adrift in the euphoria and uncertainty of youth.

The Directing Award: World Cinema Dramatic was presented by Randall Poster to: Belgica / Belgium, France, Netherlands (Director: Felix van Groeningen, Screenwriters: Felix van Groeningen, Arne Sierens) — In the midst of Belgium's nightlife scene, two brothers start a bar and get swept up in its success. Cast: Stef Aerts, Tom Vermeir, Charlotte Vandermeersch, Hélène De Vos.

The Waldo Salt Screenwriting Award: U.S. Dramatic was presented by Lena Dunham to: Chad Hartigan for Morris from America / U.S.A, Germany (Director and screenwriter: Chad Hartigan) — Thirteen-year-old Morris, a hip-hop loving American, moves to Heidelberg, Germany, with his father. In this completely foreign land, he falls in love with a local girl, befriends his German tutor-turned-confidant, and attempts to navigate the unique trials and tribulations of adolescence. Cast: Markees Christmas, Craig Robinson, Carla Juri, Lina Keller, Jakub Gierszał, Levin Henning.

A U.S. Documentary Special Jury Award for Editing was presented by Jill Lepore to: Penny Lane and Thom Stylinski for NUTS! / U.S.A. (Director: Penny Lane) — The mostly true story of Dr. John Romulus Brinkley, an eccentric genius who built an empire with his goat-testicle impotence cure and a million-watt radio station. Animated reenactments, interviews, archival footage, and one seriously unreliable narrator trace his rise from poverty to celebrity and influence in 1920s America.

A U.S. Documentary Special Jury Award for For Social Impact Filmmaking was presented by Simon Kilmurry to: Trapped / U.S.A. (Director: Dawn Porter) — American abortion clinics are in a fight for survival. Targeted Regulation of Abortion Providers (TRAP) laws are increasingly being passed by states that maintain they ensure women’s safety and health, but as clinics continue to shut their doors, opponents believe the real purpose of these laws is to outlaw abortion.

A U.S. Documentary Special Jury Award for Writing was presented by Shola Lynch to: Kate Plays Christine / U.S.A. (Director: Robert Greene) — This psychological thriller follows actor Kate Lyn Sheil as she prepares to play the role of Christine Chubbuck, a Florida television host who committed suicide on air in 1974. Christine’s tragic death was the inspiration for Network, and the mysteries surrounding her final act haunt Kate and the production.

A U.S. Documentary Special Jury Award for Vérité Filmmaking was presented by Shola Lynch to: The Bad Kids / U.S.A. (Directors: Keith Fulton, Lou Pepe) — At a remote Mojave Desert high school, extraordinary educators believe that empathy and life skills, more than academics, give at-risk students command of their own futures. This coming-of-age story watches education combat the crippling effects of poverty in the lives of these so-called "bad kids."

A U.S. Dramatic Special Jury Award was presented by Lena Dunham to: As You Are / U.S.A. (Director: Miles Joris-Peyrafitte, Screenwriters: Miles Joris-Peyrafitte, Madison Harrison) — As You Are is the telling and retelling of a relationship between three teenagers as it traces the course of their friendship through a construction of disparate memories prompted by a police investigation. Cast: Owen Campbell, Charlie Heaton, Amandla Stenberg, John Scurti, Scott Cohen, Mary Stuart Masterson.

A U.S. Dramatic Special Jury Award for Breakthrough Performance was presented by Avy Kaufman to: Joe Seo for Spa Night/U.S.A. (Director and screenwriter: Andrew Ahn) — Los Angeles’s Korean spas serve not only as meeting places but also as a bridge between past and future for generations of immigrant families. Spa Night explores one Korean American family’s dreams and realities as each member struggles with the overlap of personal desire, disillusionment, and sense of tradition. Cast: Joe Seo, Haerry Kim, Youn Ho Cho, Tae Song, Ho Young Chung, Linda Han.

A U.S. Dramatic Special Jury Award for Individual Performance was presented by Jon Hamm to: Melanie Lynskey in The Intervention / U.S.A. (Director and screenwriter: Clea DuVall) — A weekend getaway for four couples takes a sharp turn when one of the couples discovers the entire trip was orchestrated to host an intervention on their marriage. Cast: Melanie Lynskey, Cobie Smulders, Alia Shawkat, Clea DuVall, Natasha Lyonne, Ben Schwartz.

A U.S. Dramatic Special Jury Award for Individual Performance was presented by Jon Hamm to: Craig Robinson in Morris from America / U.S.A., Germany (Director and screenwriter: Chad Hartigan) — Thirteen-year-old Morris, a hip-hop loving American, moves to Heidelberg, Germany, with his father. In this completely foreign land, he falls in love with a local girl, befriends his German tutor-turned-confidant, and attempts to navigate the unique trials and tribulations of adolescence. Cast: Markees Christmas, Craig Robinson, Carla Juri, Lina Keller, Jakub Gierszał, Levin Henning.

A World Cinema Documentary Special Jury Award for Debut Feature was presented by Asif Kapadia to: Heidi Brandenburg and Mathew Orzel for their film When Two Worlds Collide / Peru (Directors: Heidi Brandenburg, Mathew Orzel) — An indigenous leader resists the environmental ruin of Amazonian lands by big business. As he is forced into exile and faces 20 years in prison, his quest reveals conflicting visions that shape the fate of the Amazon and the climate future of our world.

A World Cinema Documentary Special Jury Award for Cinematography was presented by Mila Aung Thwain to: Director and cinematographer Pieter-Jan De Pue for his film The Land of the Enlightened / Belgium (Director: Pieter-Jan De Pue) — A group of Kuchi children in Afghanistan dig out old Soviet mines and sell the explosives to child workers in a lapis lazuli mine. When not dreaming of an Afghanistan after the American withdrawal, Gholam Nasir and his gang control the mountains where caravans are smuggling the blue gemstones.

A World Cinema Documentary Special Jury Award for Editing was presented by Asif Kapadia to: Mako Kamitsuna and John Maringouin for We Are X / United Kingdom, U.S.A., Japan (Director: Stephen Kijak) — As glam rock's most flamboyant survivors, X Japan ignited a musical revolution in Japan during the late '80s with their melodic metal. Twenty years after their tragic dissolution, X Japan’s leader, Yoshiki, battles with physical and spiritual demons alongside prejudices of the West to bring their music to the world.

A World Cinema Dramatic Special Jury Award for Acting was presented by Fernanda Solórzano to: Vicky Hernandéz and Manolo Cruz in Between Sea and Land / Colombia (Director: Carlos del Castillo, Screenwriter: Manolo Cruz) — Alberto, who suffers from an illness that binds him into a body that doesn’t obey him, lives with his loving mom, who dedicates her life to him. His sickness impedes him from achieving his greatest dream of knowing the sea, despite one being located just across the street. Cast: Manolo Cruz, Vicky Hernandéz, Viviana Serna, Jorge Cao, Mile Vergara, Javier Sáenz.

A World Cinema Dramatic Special Jury Award for Screenwriting was presented by Randall Poster to: Ana Katz and Inés Bortagaray in Mi Amiga del Parque / Argentina, Uruguay (Director: Ana Katz, Screenwriters: Ana Katz, Inés Bortagaray) — Running away from a bar without paying the bill is just the first adventure for Liz (mother to newborn Nicanor) and Rosa (supposed mother to newborn Clarisa). This budding friendship between nursing mothers starts with the promise of liberation but soon ends up being a dangerous business. Cast: Julieta Zylberberg, Ana Katz, Maricel Álvarez, Mirella Pascual, Malena Figó, Daniel Hendler.

A World Cinema Dramatic Special Jury Award for Unique Vision and Design was presented by Fernanda Solórzano to: Agnieszka Smoczyńska for The Lure / Poland (Director: Agnieszka Smoczynska, Screenwriter: Robert Bolesto) — Two mermaid sisters, who end up performing at a nightclub, face cruel and bloody choices when one of them falls in love with a beautiful young man. Cast: Marta Mazurek, Michalina Olszanska, Jakub Gierszal, Kinga Preis, Andrzej Konopka, Zygmunt Malanowicz.

The following awards were presented at separate ceremonies at the Festival:

Short Film Awards
Jury prizes and honorable mentions in short filmmaking were presented at a ceremony in Park City, Utah on January 27.
The Short Film Grand Jury Prize was awarded to: Thunder Road / U.S.A. (Director and screenwriter: Jim Cummings).
The Short Film Jury Award: U.S. Fiction was presented to: The Procedure / U.S.A. (Director and screenwriter: Calvin Lee Reeder).
The Short Film Jury Award: International Fiction was presented to: Maman(s) / France (Director and screenwriter: Maïmouna Doucouré ).
The Short Film Jury Award: Non-fiction was presented to: Bacon & God's Wrath / Canada (Director: Sol Friedman).
The Short Film Jury Award: Animation was presented to: Edmond / United Kingdom (Director and screenwriter: Nina Gantz).
A Short Film Special Jury Award for Outstanding Performance was presented to: Grace Glowicki for her performance in Her Friend Adam.
A Short Film Special Jury Award for Best Direction was presented to: Peacock / Czech Republic (Director: Ondřej Hudeček, Screenwriters: Jan Smutny, Ondřej Hudeček).

The Short Film jurors were star and co-creator of Comedy Central’s Key & Peele, Keegan-Michael Key; development executive at Amazon Studios, Gina Kwon; and chief film critic for MTV, Amy Nicholson. The Short Film program is presented by YouTube.

Global Filmmaking Awards
The winning directors and projects of the 2016 Sundance Institute Global Filmmaking Awards in recognition and support of emerging independent filmmakers from around the world, are:<

August (Cuba) / Writer-Director: Armando Capo
In August 1994, Carlos comes of age during the Cuban Raft Exodus. He loses his first love, his friends leave the country, he discovers sex, and for the first time feels afraid about his future.

Insha' Allah (India) / Writer-Director: Geetu Mohandas
11 year old Mullakoya, tired of living in the shadow of the colorful, magical-realist folklore that surrounds his missing older brother, sets off on a treacherous journey from the Lakshadweep Islands in the Arabian Sea to the Indian mainland to search for him.

Sicilian Ghost Story (Italy) / Writer-Directors: Antonio Piazza, Fabio Grassadonia
When a local Mafia don’s son is kidnapped, a young Sicilian girl refuses to accept the sudden disappearance of the boy she loves. Based on real life events at the height of the Mafia’s reign in Palermo, Sicilian Ghost Story is a striking and unique look at the power that love has to survive in the darkest of worlds.

The Treasure (Morocco) / Writer-Director: Abdellah Taia
Janine, a French woman born in Morocco, accompanied by her building manager, Mohamed, set out on an adventure in search of a hidden treasure in the mountains of Atlas. The journey into her past becomes an exploration of post-colonial identity in Morocco.

Sloan Science in Film Awards
The 2016 Alfred P. Sloan Feature Film Prize, presented to an outstanding feature film about science or technology, was presented to Embrace of the Serpent directed by Ciro Guerra. The film received a $20,000 cash award from the Alfred P. Sloan Foundation.

Sundance Institute - Amazon Studios Producers Awards
The recipients of the the 2016 Sundance Institute | Amazon Studios Producers Awards are Sara Murphy and Adele Romanski, producers of Morris From America and Julie Goldman, executive producer of Weiner and Life, Animated.  The award recognizes bold vision and a commitment to continuing work as a creative producer in the independent space.

Check the video with the complete awards ceremony.

20th Annual Art Directors Guild Excellence in Production Design Awards Winners

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Last night the production designers guild had their award ceremony where the winners for 11 categories of film, television, commercials and music videos were announced.

The Revenant, The Martian and the last installment of Mad Max were honored this year with an ADG award. All three film winners are Oscar-nominated and worth-noting is that the ADG period winner often has gone on to win the Oscar in the production design category.

To check winners in all categories go official site here. Winners are in *BLUE.

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1/5/16
Will share that have been traveling for the last two months but today I'm back home; tired, but ready to update this blog more often and on time. So let's start as today was a busy day.

Today the guild announced their nominations for 11 categories of Production Design for theatrical motion pictures, television, commercials and music videos; the announcement was done by ADG Council Chair Marcia Hinds and Awards Producer Thomas Wilkins. As happens this is a movie blog so will list only the film categories and will include link to check the rest.

Have no doubt that Carol was snubbed as according to IMDb Judy Becker did the Production Design and she is nominated for Joy; not so sure about Brooklyn as François Séguin perhaps is not a guild member. But no matter whatever reason, it is inexplicable why Carol and Brooklyn,two outstanding period films with worth-honoring production design were not considered for a nomination.

On more positive note, admit that I'm glad The Danish Girl was honored as production design in this movie was truly breathtaking for me, as a matter of fact hope film gets the Oscar as undoubtedly deserves the high honor.

Contemporary Film
Mark Digby for Ex Machina
Judy Becker for Joy
*Arthur Max for The Martian
Patrice Vermette for Sicario
Dennis Gassner for Spectre

Period Film
Adam Stockhausen for Bridge of Spies
Thomas E. Sanders for Crimson Peak
Eve Stewart for The Danish Girl
*Jack Fisk for The Revenant
Mark Ricker for Trumbo

Fantasy Film
Dante Ferretti for Cinderella
Edward Verreaux for Jurassic World
*Colin Gibson for Mad Max: Fury Road
Rick Carter and Darren Gilford for Star Wars: The Force Awakens
Scott Chambliss for Tomorrowland

To remind everyone here is the rule number four that makes many films to be out-of-consideration to the guild.

4. TO BE ELIGIBLE, A FEATURE FILM THAT IS MADE WITHIN THE U.S. MUST BE PRODUCED UNDER AN IATSE AGREEMENT. FOREIGN ENTRIES ARE ACCEPTABLE WITHOUT RESTRICTIONS.

Category I - Period Film
To qualify in this category, a feature film must have the majority of its sets and locations designed to portray a time period at least 20 years prior to the present awards year.

Category II - Fantasy Film
To qualify in this category, a feature film must have the majority of its sets and locations designed to portray places of an imaginative and inventive nature.

Category III - Contemporary Film
To qualify in this category, a feature film must have the majority of its sets and locations designed to portray places of a realistic nature within 20 years either side of the present awards year.

To check nominees in categories not related to film go official site here. The Awards ceremony will take place on Sunday, January 31, 2016 at the Beverly Hilton Hotel with Owen Benjamin serving as host.

As previously announced, director David O. Russell will receive the Guild’s prestigious Cinematic Imagery Award. Turner Classic Movies (TCM) host Robert Osborne will be the first to receive ADG’s newly created William Cameron Menzies Award for his work in championing classic motion pictures.

Recipients of this year’s Lifetime Achievement Awards include Scenic Artist Bill Anderson, Matte Artist Harrison Ellenshaw, Set Designer William J. Newmon, II and Production Designer Patrizia von Brandenstein,

Four legendary women – Production Designer Carmen Dillon, Production Designer and Illustrator Dorothea Holt Redmond, Production and Costume Designer Patricia Norris, and Art Director and Set Designer Dianne Wager – will be inducted into the Art Directors Guild (ADG) Hall of Fame.

2016 Teddy Awards Selection

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Today organizers published the #Teddy30 program magazine with all films that will be competing for the most prestigious LGBT award in the world. As by now have read about almost ALL films in #Berlinale2016 already have an idea of the most interesting films and to which specific interest belong, so the task to list and classify the films is a bit more easier.

This post will list ALL films, including the films that will be screened in the Panorama section to celebrate the 30th anniversary.

During the Berlinale the award is presented in the following categories: Best Feature, Best Documentary/Essay Film and Best Short Film as well as the Special Jury Award. Every year films from all sections of the Berlin International Film Festival compete for the Teddy Awards.

Feature Films

Competition
Quand on a 17 ans (Being 17), André Téchiné, France (G)
Zjednoczone Stany Miłości (United States of Love), Tomasz Wasilewski, Poland and Sweden (L)

Generation Kplus
Rara, Pepa San Martín, Chile and Argentina (L)

Panorama
Antes o Tempo Não Acabava (Time Was Endless), Sérgio Andrade and Fábio Baldo, Brazil and Germany
Já, Olga Hepnarová (I, Olga Hepnarová), Tomáš Weinreb and Petr Kazda, Czech Republic, Poland, Slovakia and France (L)
Jonathan, Piotr J. Lewandowski, Germany (G)
죽여주는 여자 Jug-yeo-ju-neun Yeo-ja (The Bacchus Lady), E J-yong, Korea (T)
Kater (Tomcat), Händl Klaus, Austria (G)
Little Men, Ira Sachs, USA
Mãe só há uma (Don’t Call me Son), Anna Muylaert, Brazil (T)
Nunca vas a estar solo (You'll Never Be Alone), Alex Anwandter, Chile (G)
San Fu Tian (Dog Days), Jordan Schiele, Hong Kong and China (G)
Théo et Hugo dans le même bateau (Paris 05:59), Olivier Ducastel and Jacques Martineau, France (G)
TORO, Martin Hawie, Germany (G)

Perspecktive Deutsches Kino
Liebmann, Jules Hermann

Documentary Films

Panorama Dokumente
Brüder der Nacht (Brothers of the Night), Patric Chiha, Austria (G)
Der Ost-Komplex (The GDR Complex), Jochen Hick, Germany (G)
Inside the Chinese Closet, Sophia Luvarà, Netherlands (LG)
Kiki, Sara Jordenö, Sweden and USA (All)
Mapplethorpe: Look at the Pictures, Fenton Bailey and Randy Barbato, USA and Germany (G)
Mi Yohav Oti Achshav? (Who's Gonna Love Me Now?), Tomer Heymann and Barak Heymann, Israel and UK (G)
Strike a Pose, Ester Gould and Reijer Zwaan, Netherlands (G)
Uncle Howard, Aaron Brookner, UK and USA (G)
Weekends, Lee Dong-ha, Korea (G)
Zona Norte, Monika Treut, Germany (L)

Short Films

Forum Expanded
A Boy Needs a Friend, Steve Reinke, Canada and USA, 27' (G)
Fugue, Kerstin Schroedinger, Canada and Germany, 8'
Girl Talk, Wu Tiang, USA, 4'
LOiseau de la Nuit, Fernando Santos aka Deborah Krystal, Cindy Scrash, Alda Cabrita, João Pedro Rodrigues, Portugal and France, 20' (T)
The Lamps,Shelly Silver, USA, 4'

Generation
Balcony, Toby Fell-Holden, UK, 17' (14plus) (L)
En la azotea (On the Roof), Damià Serra Cauchetiez, Spain, 12' (Kplus) (G)
Mamma vet bäst (Mother Knows Best), Mikael Bundsen, Sweden, 12' (14plus) (G)
O noapte in Tokoriki (A Night in Tokoriki), Roxane Stroe, Romania, 18' (14plus)
Take Your Partners, Siri Rodnes, UK, 11' (Kplus) (T)

Shorts Competition
Moms On Fire, Joanna Rytel, Sweden, 12’
Reluctantly Queer, Akosua Adoma Owusu, Ghana and USA, 8’ (G)

Members of the Jury 2016 - To read about each member check jury post here.
Augustas Čičelis, Lithuania
Alexandra Carastoian, Romania
Alice Royer, USA
Dagmar Brunow, Germany
Adán Salinas Alverdi, Mexico
Nosheen Khwaja, Scotland
Serubiri Moses, Uganda
Xiaogang Wei, China
Jay Lin, Taiwan

Teddy 30 Retro - To read about each film go to post here.
Films in the anniversary program, please notice that below list comes from official program and eliminates some films in earlier press release as well as adds new ones.

1 Berlin Harlem, Lothar Lambert and Wolfram Zobus, Germany (Federal Republic), 1974 (G)
Anders als die Andern (Different from the Others), Richard Oswald, Germany, 1919 (G)
Before Stonewall, Greta Schiller and Robert Rosenberg, USA, 1984 (G)
Die Betörung der Blauen Matrosen (The Enchantment of the Blue Sailors), Ulrike Ottinger, Germany (Federal Republic), 1975  (All)
Die Wiese der Sachen (The Meadow of Things), Heinz Emigholz, Germany (Federal Republic), 1974 (G)
Gendernauts - Eine Reise durch die Geschlechter (Gendernauts - A Journey Through Shifting Identities), Monika Treut, Germany, 1999 (LT)
Hedwig and The Angry Inch, John Cameron Mitchel, USA, 2001 (GT)
Je, tu, il, elle (I, You, He, She), Chantal Akerman, France and Belgium, 1974 (L)
Looking for Langston, Isaac Julien, UK, 1989 (G)
Machboim (Hide and Seek),  Dan Wolman, Israel, 1979  (G)
Marble Ass, Želimir Žilnik, Yugoslavia, 1995 (G)
Nitrate Kisses, Barbara Hammer, USA, 1992 (L)
Parting Glances, Bill Sherwood, USA, 1986 (G)
The Watermelon Woman, Cheryl Dunye, USA, 1996 (L)
Tongues Untied, Marlon Riggs, USA, 1989 (G)
Toute une nuit (A Whole Night), Chantal Akerman, France and Belgium, 1982 (L)
Tras el cristal (In a Glass Cage),  Agustí Vilaronga, Spain, 1987 (G)

Berlinale Talents
Talents Teddy Talk: The Finally New Queer Cinema?
In The Nest: Drama Series Made By Talents

As we already know the Special Teddy Award 2016 goes to very-famous in the LGBT community as well as in the cinema industry, producer Christine Vachon.

Teddy 30 Brochure-magazine


10th AFA Nominations

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Organized by the Asian Film Awards Academy, the Asian Film Awards will celebrate its 10th anniversary this year. For this edition, 77 nominations have been made for 15 awards. The nominations represent 36 films from 9 countries.

World-renowned Hong Kong director Mr. Johnnie TO Kei-fung will serve as this year’s Jury President and lead a jury comprising by two popular celebrity jurors, Hong Kong actor Mr. Sean LAU Ching-wan and mainland Chinese actress Ms. GAO Yuanyuan, as well as 12 respected film industry professionals, festival programmers and critics from all over the world.

This year, the AFA received almost 1,600 submissions from 32 countries. The entries were wide-ranging and include genres like wuxia, period epics, romantic comedies, crime, festival acclaimed works and many others.

Hou Hsiao-Hsien's The Assassin leads the pack with nine (9) nominations followed by Port of Call by Philp Yung and the unexpected contender, Bajirao Mastani by Sanjay Leela Bhansali with five (5) each.

To read nominations full press release go official site here and to read nominations in all categories go here both files available in pdf format.

The following are the nominees for some of the 15 categories.

Best Film
Mountains May Depart, France, Japan and China
The Assassin, Hong Kong, China and Taiwan
Bajirao Mastani, India
Three Stories of Love, Japan
Mr. Six, China
Veteran, South Korea

Best Director
Jia Zhang-ke for Mountains May Depart
Hou Hsiao-Hsien for The Assassin
Kore-eda Hirokazu for Our Little Sister
Guan Hu for Mr. Six
Ryoo Seung-wan for Veteran

Best Actress
Zhao Tao in Mountains May Depart
Shu Qi in The Assassin
Ayase Haruka in Our Little Sister
Kim Hye-soo in Coin Locker Girl
Karena Lam in Zinnia Flower

Best Actor
Donnie Yen in Ip Man 3
Nagase Masatoshi in An
Feng Xiaogang in Mr. Six
Lee Byung-Hun in Inside Men
John Arcilla in Heneral Luna

Best Screenplay
Jia Zhang-ke for Mountains May Depart
Philp Yung for Port Of Call
Vishal Bhardwaj for Talvar
Ujita Takashi and Kurosawa Kiyoshi for Journey to the Shore
Ryoo Seung-wan for Veteran

Best Cinematography
Chirstopher Doyle for Port of Call
Mark Lee Ping-Bing for The Assassin
Sasakibara Yasushi and Yamamoto Yoshiaki for Gonin Saga
Luo Pan for Mr. Six
Kim Woo-hyung for Assassination

No surprise when almost all the films listed in the above categories are known to me, especially two films by my most-favorite directors Jia Zhang-ke and Hou Hsiao-Hsien.  The Awards ceremony will be held on Thursday, March 17 at The Venetian Theater in The Venetian Macau.

6th Les Magritte du Cinéma Awards Winners

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Last night Belgian francophone cinema was honored with the top award and is no surprise when we find Jaco Van Dormael's The Brand New Testatment as the top winner of the night, film had the most nominations and was Belgium's submission to Oscar that made it to the shortlist of 9 but got no nomination.

The 2016 Honorary Magritte went to Vincent Lindon, and notable is Alleluia winning many tech awards but no top awards. Perhaps the most emotional moment was the homage to extraordinary Chantal Akerman that lives in her magnificent film legacy.



Winners list is not yet at the official site but soon will be here; to check winners in other categories go Cinevox here.  Winners are in *BLUE.

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1/12/16
Today the Académie André Delvaux announced the nominations for the sixth edition of the awards that honor Belgian francophone cinema and there are six (6) films dominating the nominations.

The Brand New Testament leads the pack with ten (10) nominations which is expected as film is Belgium submission to 2016 Oscars foreign-language film, film made it to the shortlist of 9 and next Thursday we will learn if gets an Oscar nomination.

Jaco van Doramel's film is followed by All Cats Are Grey with nine (9) and Alleluia with eight (8) -but five (5) are tech noms-. Then with seven (7) I'm Dead But I Have Friends followed by Préjudice with six (6) and Melody with four (4). All other films have only one (1) nomination.

Perhaps the biggest snub is the omission of Cécile De France in La Belle Saison (Summertine) by Catherine Corsini but I hope she makes it to the César. Remarkable is that none of the Best Actress nominees is in one of the five films with Best Film nomination with only one film being 100% Belgian production, one is a French film and two are France and Belgian co-productions. So obviously de France snub does not come from production country, film has already been released in Belgium and yes, is in the published list of eligible films. Sigh.

Best Film
Je suis mort mais j'ai des amis (I'm Dead But I Have Friends), Guillaume Malandrin and Stéphane Malandrin
*Le tout nouveau testament (The Brand New Testament), Jaco Van Dormael
Melody, Bernard Bellefroid
Préjudice, Antoine Cuypers
Tous les chats sont gris (All Cats Are Grey), Savina Dellicour

Best First Film
L'année prochaine (Next Year), Vania Leturcq
Préjudice, Antoine Cuypers
*Tous les chats sont gris (All Cats Are Grey), Savina Dellicour

Best Flemish Film
Brabançonne, Vincent Bal
Cafard, Jan Bultheel
*D'Ardennen (The Ardennes), Robin Pront
Waste Land, Pieter Van Hees

Best Foreign Film in Co-Production
*La famille Bélier, Eric Lartigau
Song of the Sea, Tomm Moore
Marguerite, Xavier Giannoli
Ni le ciel ni la terre (The Wakhan Front), Clément Cogitore

Best Director
Fabrice Du Welz for Alléluia
*Jaco Van dormael for Le tout nouveau testament (The Brand New Testament)
Savina Dellicour for Tous les chats sont gris (All Cats Are Grey)

Best Actress
Christelle Cornil in Jacques a vu
Yolande Moreau in Le voyage en Chine (Journey through China)
Annie Cordy in Les souvenirs (Memories)
*Veerle Baetens in Un début prometteur

Best Supporting Actress
Helena Noguerra in Alléluia
Yolande Moreau in Le tout nouveau testament (The Brand New Testament),
*Anne Coesens in Tous les chats sont gris (All Cats Are Grey)
Babetida Sadjo in Waste Land

Best Female Newcomer
Stéphanie Van Vyve in Être
Pili Groyne in Le tout nouveau testament (The Brand New Testament)
*Lucie Debay in Melody
Manon Capelle in Tous les chats sont gris (All Cats Are Grey)

Best Actor
*Wim Willaert in Je suis mort mais j'ai des amis (I'm Dead But I Have Friends)
François Damiens in La famille Bélier
Jérémie Renier in Ni le ciel ni la terre (The Wakhan Front)
Bouli Lanners in Tous les chats sont gris (All Cats Are Grey)

Best Supporting Actor
Marc Zinga in Dheepan
*Laurent Capelluto in L’enquête (The Cleastream Affair)
David Murgia in Le tout nouveau testament (The Brand New Testament)
Arno Hintjens in Préjudice

Best Male Newcomer
David Thielemans in Bouboule (Chubby)
*Benjamin Ramon in Être
Romain Gelin in Le tout nouveau testament (The Brand New Testament)
Arthur Bols in Préjudice

Best Screenplay (Original or Adapted)
Fabrice Du Welz and Vincent Tavier for Alléluia
Guillaume Malandrin and Stéphane Malandrin for Je suis mort mais j'ai des amis (I'm Dead But I Have Friends)
*Thomas Gunzig and Jaco Van Dormael for Le tout nouveau testament (The Brand New Testament)
Antoine Cuypers and Antoine Wauters for Préjudice

To check nominees in all categories and/or to read info about each film go official site here, available only in French. Awards ceremony will be on February 6th and will be broadcast by Be TV; like last edition, host will be Charlie Dupont and the Awards ceremony president is Marie Gillain.

The most interesting thing from list is me recalling Melody as a film that have to see and haven't seen yet.



30th Goya Awards Winners

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According to award official site news, last night awards ceremony lasted 3 hours 10 minutes and was seen locally by almost 4 million viewers, which is higher than last year award ceremony. Yes, 2016 ceremony was quite entertaining, made me laugh hard/loud a few times, watched entire ceremony (training for the Oscars) and the best part was watching Juliette Binoche in my TV screen so many times, sigh.

Perhaps the most surprising moment in the ceremony was when Juliette Binoche didn't win a Goya as definitively her performance was extraordinary in Nadie Quiere La Noche and have to admit that the next best performance was multiple Goya winner, Penelope Cruz in Ma Ma; so when the winner's name was announced I was extremely surprised, as much as the winner actress was (lol!).

If was surprised with the best actress category there was no surprise in most of the other predictable top awards as I called the winner before was announced and was right. Yes I said Truman before the Best Film was announced, said Cesc Gay before Best Director was announced, said Ricardo Darin before Best Actor was announced, said Javier Camara before Best Supporting Actor was announced and no, the other Truman's nomination I forgot so couldn't say it before the announcement (lol). Truman was the BIG winner of the night with 4 top awards from 5 nominations.



The other two great moments were when El Clan by Pablo Trapero wins Best Ibero-American film and Mustang by Deniz Gamze Ergüven won Best European film as believe both honors are well-deserved.

To learn winners in all categories go official site here.  Winners are in *BLUE.

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12/14/15
Asier Etxeandia and Emma Suárez today announced the nominations for the 30th edition of the Goya Awards. La Novia by Paola Ortiz leads the pack with 12 nominations followed by Nadie Quiere La Noche by Isabel Coixet with 9, Un día perfecto by Fernando León de Aranoa and El desconocido by Dani de la Torre with 8, and Truman by Cesc Gay with 6 nominations.

Seems the new adaptation of Bodas de Sangre by Federico García Lorca could be worth watching, so perhaps is time to give La Novia a try even do is a story that has been told so many times before and I have seen so many times before too, sigh. The perhaps new generations will enjoy a more contemporary version.

Here are the nominees for some of the categories, to check all categories go to official site here (not up yet, but will be there soon).

Best Film
A Cambio de Nada, Daniel Guzmán
La Novia (The Bride), Paula Ortiz
Nadie Quiere La Noche (Nobody Wants the Night), Isabel Coixet
*Truman, Cesc Gay
Un día Perfecto (A Perfect Day), Fernando León de Aranoa

Best Director
Paula Ortiz for La Novia
Isabel Coixet for Nadie Quiere La Noche
*Cesc Gay for Truman
Fernando León de Aranoa for Un día Perfecto

Best New Director
*Daniel Guzmán for A Cambio de Nada
Dani de la Torre for El Desconocido
Leticia Dolera for Requisitos para ser una persona normal
Juan Miguel del Castillo for Techo y Comida

Best Ibero-American Film
*El Clan, Pablo Trapero, Chile
La Once, Maite Alberdi, Chile
Magallanes, Salvador del Solar, Peru
Vestido de Novia, Marilyn Solaya, Cuba

Best European Film
Sur le chemin de l'école, Pascal Plisson, France, China, South Africa, Brazil and Colombia
Leviathan, Andrey Zvyagintsev, Russia
Macbeth, Justin Kurzel, UK, France and USA
*Mustang, Deniz Gamze Ergüven, Turkey, France, Qatar and Germany

Best Actress
Inma Cuesta in La Novia
PenélopeCruz in Mama
Juliette Binoche in Nadie quiere la Noche
*Natalia de Molina in Techo y Comida

Best Actor
Pedro Casablanc in B
Luis Tosar in El Desconocido
Asier Etxeandía in La Novia
*Ricardo Darín in Truman

No doubt that the category that looks the most interesting is Best Actress as includes outstanding Juliette Binoche and well-known Penélope Cruz. The 2016 Honorary Goya goes to Mariano Ozores. Award ceremony will be on Saturday, February 6th, 2016 and the host is Dani Rovira.

If you can't wait for organizers to update official site then check official twitter account here as all the info is available there.

21st Prix Lumières Winners

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Was a true pleasure to be able to watch the Lumières awards ceremony live as film clips are always very enjoyable and Isabelle Huppert homage was fantastic with so many clips from films that I have seen and yes, could think of a few films that had no clip, after all we have to recall that she has an extensive filmography, just in IMDb there are 126 films listed for her acting career and we all know that data base could have omissions. Just in case, I should say that Huppert is one of my favorite actors in the world, so yes have seen almost everything with her.

Since the nominations imagined that a film by a female director in a French-Turkish co production could swept the awards and gee, I was correct! Mustang collected 4 awards out of the 6 nominations and most interesting was honored with the Best Film and Best First Films awards! Congratulations and yes, the honors are extremely well-deserved as Deniz Gamze Ergüven first feature film looks and feels like the work of a more experienced director and her non-actors female cast had mesmerizing performances. Bravo!!! Hope film does as good as here in the Cesar.

Winners are not yet at the official site but will be eventually here. Below you will find all the award categories and winners are in *BLUE.

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1/4/16
Today the foreign press based in Paris announced the nominations for the current edition of the award that honors French and Francophone films since 1996 and this edition has Trois Souvenirs de ma jeunesse (7) leading the pack followed by Mustang (6) and La Belle Saison (5).

Perhaps you will agree thats 2015 was another excellent year for French film so imagine that the foreign press and later the French Academy will have a hard time selecting films that make the list as well as films out of the list.

This is one of the most outstanding list of great films as shows films that have continue to compete for an Oscar plus many more that already have collected multiple accolades in the festival circuit and that I hope will be in the Cesar nominations.

How can you decide between 2015 Cannes top award winner by Jacques Audiard, perhaps the most acclaimed French film outside France by Deniz Gamze Ergüven, and more classic great French cinema by Catherine Corsini, Xavier Giannoli, Arnaud Desplechin and Christian Vincent? Impossible. All are simply extraordinary cinema, good I have not to decide, sigh. Then you have highly controversial films that have stir morality in their local community like the film by Nabil Ayouch and list becomes quirky but a lot more interesting.

Still imagine that this year a film by a female director in a French-Turkish co production could and maybe will swept the awards; yes, talking about Mustang and can't wait to check first awards to find out if French industry has welcomed film as much as the international film industry. I''m very curious about this.

Best Film
La belle saison, Catherine Corsini
Dheepan, Jacques Audiard
L’hermine, Christian Vincent
Marguerite, Xavier Giannoli
* Mustang, Deniz Gamze Ergüven
Trois souvenirs de ma jeunesse, Arnaud Desplechin

Prix Heike Hurst for First Film
Bébé tigre, Cyprien Vial
Les deux amis, Louis Garrel
*Mustang, Deniz Gamze Ergüven
Ni le ciel ni la terre, Clément Cogitore
La vie pure, Jérémy Banster
Vincent n’a pas d’écailles, Thomas Salvador

Best Francophone Film
À peine j’ouvre les yeux, Leyla Bouzid
L’année prochaine, Vania Leturcq
*Much Loved, Nabil Ayouch
Les Terrasses, Merzak Allouache
Le tout nouveau testament, Jaco van Dormael
La vanité, Lionel Baier

Best Director
Jacques Audiard for Dheepan
Catherine Corsini for La belle saison
*Arnaud Desplechin for Trois souvenirs de ma jeunesse
Philippe Garrel for L’ombre des femmes
Xavier Giannoli for Marguerite
Maïwenn for Mon roi

Best Actress
Emmanuelle Bercot in Mon roi
Clotilde Courau in L’ombre des femmes
*Catherine Frot in Marguerite
Izïa Higelin in La belle saison
Isabelle Huppert in Valley of Love
Elsa Zylberstein in Un + une

Best Actor
Gérard Depardieu in Valley of Love
André Dussollier in 21 nuits avec Pattie
*Vincent Lindon inLa loi du marché and Journal d’une femme de chambre
Fabrice Luchini in L’hermine
Vincent Macaigne in Les deux amis
Jérémie Renier in Ni le ciel ni la terre

Female Revelation
Golshifteh Farahani in Les deux amis
Sara Giraudeau in Les bêtises
Baya Medhaffar in À peine j’ouvre les yeux
Lou Roy-Lecollinet in Trois souvenirs de ma jeunesse
Sophie Verbeeck in À trois on y va
*Gunes Nezihe Sensoy, Doga Zeynep Doguslu, Elit Iscan, Tugba Sunguroglu et Ilayda Akdogan in Mustang



Male Revelation
Stany Coppet in La vie pure
Quentin Dolmaire in Trois souvenirs de ma jeunesse
Alban Lenoir in Un Français
Félix Moati in À trois on y va
Harmandeep Palminder in Bébé tigre
*Rod Paradot in La tête haute

Best Screenplay
Catherine Corsini and Laurette Polmanss for La belle saison
Arnaud Desplechin and Julie Peyr for Trois souvenirs de ma jeunesse
*Philippe Faucon for Fatima
Deniz Gamze Ergüven et Alice Winocour for Mustang
Xavier Giannoli for Marguerite
Arnaud et Jean-Marie Larrieu for 21 nuits avec Pattie

Best Cinematography
*David Chizallet for Mustang, Les Anarchiste and Je suis un soldat
Matias Boucard for L'affaire SK1
Irina Lubtchansky for Trois souvenirs de ma jeunesse
Claire Mathon for Le dernier coup de marteau, Mon roi and Les deux amis
Arnaud Potier for Les Cowboys
Sylvain Verdet for Ni le ciel ni la terre

Best Score
Bruno Coulais for Journal d’une femme de chambre
Warren Ellis for Mustang
*Grégoire Hetzel for La belle saison and Trois souvenirs de ma jeunesse
Mike Lévy, alias Gesaffelstein, for Maryland
Béatrice Thiriet for L’astragale
Jean-Claude Vannier for Microbe et Gasoil

Best Documentary (tie)
*Le bouton de nacre, Patricio Guzmán
Demain, Cyril Dion and Mélanie Laurent
Human, Yann Arthus-Bertrand
Sud Eau Nord Déplacer, Antoine Boutet
*L’image manquante, Rithy Pan
Nous venons en amis, Hubert Sauper



To check nominees at official site go here. Awards ceremony will be on February 8 at l'Espace Pierre Cardin 1 Avenue Gabriel in Paris.

Video of the 21ème Cérémonie des Lumières 2016


Oscars Class of 2016

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Perhaps one of the most well-known American schools tradition is the annual class group photo for the school yearbook; well, don't know if you all know about it, but I know because I have several yearbooks with me and my classmates photographs. So, yes I do enjoy the annual Oscar nominees tradition that starts with a brief press q+a, a luncheon and a group photograph known as the annual Nominees Class Photo or the Class of 2016.

Yesterday the Academy had the annual luncheon that kept one more year the traditions alive and below we have the infamous photography (in the highest resolution I was able to find, so you can zoom photo without getting too many pixels).





Perhaps is my imagination but when I see last year's photo against this year see a lot less nominees in the photo, that looks kind of "empty".  For starters know that Cate Blanchett and Michael Fassbender are not there; think Kate Winslet is also absent as well as Tom Hardy and Mark Rylance.  So the British nominees probably stayed home resting for their big show, the BAFTA's that are next Sunday.

There are many luncheon photos but none impacted me more than the following. Can you guess why?



Please notice that extraordinary Deniz Gamze Ergüven had to wear a name badge in Hollywood (!!!) while Brie Larson did not. All happening at the same time when in Paris she won four (4) Lumières awards for her outstanding debut feature film, Mustang. Surely in Paris she does not need a name badge. But yes, I know -as well as we all- why she was in LA instead of Paris.Sigh.

So here are some photos from more "people" that do not need a name badge (lol).




Later, at night time, there was a party hosted by THR, 4th Annual Nominees Night and ALL the Mustang cast plus the director where there.



French Films at #Berlinale2016

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A few days back Unifrance published at their official site an article that listed the French (majority and minority) productions at #Berlinale2016. As many of you know, I LOVE French cinema, so the easiest way to uncover the films is to copy and paste the article here for our present and future reference, as most films absolutely are must-be-seen for me.

What follows is the article. If you wish to read it at Unifrance official site please go here.

French cinema will be in the spotlight at the upcoming Berlin International Film Festival, to be held February 11 through 20, 2016, with three majority-French productions in competition (along with three minority co-productions) and two films presented out of competition.

The directors André Téchiné (whose film The Witnesses was previously shown in competition in Berlin in 2007), Mia Hansen-Løve (in the competition section for the first time this year), and Danis Tanovic (whose film An Episode in the Life of an Iron Picker was presented at Berlin in 2013) are behind the three films solely or majority-produced by France that are included in the Official Competition at Berlin this year.

In addition to this, the Out of Competition section will feature world premieres of two eagerly-anticipated films: Saint Amour by Gustave Kervern and Benoît Delépine, starring Gérard Depardieu and Benoît Poelvoorde, and News from Planet Mars by Dominik Moll, starring François Damiens.

The lineup for the festival's Panorama and Generation sections will be announced at a later late.

The Forum section, which serves as an independent platform for discovering new talent at the Berlinale, will showcase 44 films this year, including 10 titles crediting France as a co-production partner. Guillaume Nicloux will present his intriguing fantasy thriller The Wandering, which reunites the director with lead actor Gérard Depardieu, while Eugène Green will reveal his latest offering Le Fils de Joseph, featuring Mathieu Amalric.

Feature Films - Official Competition:
Seul dans Berlin by Vincent Perez (minority co-production)
Things to Come by Mia Hansen-Løve
Death in Sarajevo by Danis Tanovic
Quand on a 17 ans by André Téchiné
Soy nero by Rafi Pitts (minority co-production)
Fire at Sea by Gianfranco Rosi (minority co-production)

Feature Films - Out of Competition:
Saint Amour by Gustave Kervern, Benoît Delépine
News from Planet Mars by Dominik Moll

Feature Films - Forum:
The Wandering by Guillaume Nicloux
Le Fils de Joseph by Eugène Green
Between Fences by Avi Mograbi
Baden Baden de Rachel Lang (50% French production)
El Dorado XXI by Salomé Lamas (minority co-production)
TA'ANG by Bing Wang (minority co-production)
A Maid For Each by Maher Abi Samra (minority co-production)
We Are Never Alone by Petr Vaclav (minority co-production)
Depth Two, by Ognjen Glavonic (minority co-production)
Ilegitim, by Adrian Sitaru (minority co-production)

Feature Films - Génération :
Jamais contente de Émilie Deleuze
Ma révolution de Ramzi Ben Sliman

Feature Films - Panorama :
Aloys de Tobias Nölle
Mariupolis de Mantas Kvedaravicius
Don't Blink - Robert Frank de Laura Israel
I, Olga Hepnarova de Tomas Weinreb, Petr Kazda
The Wounded Angel de Emir Baigazin
Road to Istanbul de Rachid Bouchareb
Les Premiers, les Derniers de Bouli Lanners
Théo et Hugo dans le même bateau de Olivier Ducastel, Jacques Martineau

Feature Films - Forum Expanded :
A Mina dos Vagalumes de Raphaël Grisey
Reason's Oxymorons de Kader Attia

Short Films - Official Competition :
Our Legacy de Jonathan Vinel
LOVE de Réka Bucsi
Estate de Ronny Trocker
In the Soldier's Head de Christine Rebet

Short Films - Generation Competition :
The Teeny-Weeny Fox de Sylwia Szkiladz

Feature Films - Panorama / Teddy 30 :
I, You, She, He de Chantal Akerman
All Night Long de Chantal Akerman

Day 1 at #Berlinale2016 - In Progress

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This is a new version of the daily coverage as will not talk about ALL the movies that will be screen each day but only about the ones that I find "interesting". But will include press news from English-speaking sources (maybe some non-English too) where you can read news, reviews, comments, etc. about the movies in the festival.

Another novelty is that will publish post as soon as there is some info available and will be updating post during the day, until the next day when the new post is open.  So, post will be work in progress until becomes final.

Post bottom has some public photos about whatever is happening daily in the fest, BUT if you wish to see professional photos (like the ones from Getty Images) please go to my pinterest here where will be publishing photos with all the credits.

The Opening Ceremony

The Opening Ceremony was long, very long and started late, quite late as the opening film crew came late to the theater. Nevertheless I highly enjoy Ange Engelke's dry/black German humor and this was not an exception as laugh quite hard several times. She's very funny lady. Most impressive was the standing ovation Meryl Streep had just when Ange mentioned her name, later the audience calmed itself and when she was on stage, ovation still was loud. I'm in awe of my own reactions to Meryl Streep being the Jury president as tend to be different to what I felt with the presence of extraordinary directors; is like is "normal" for a director to be the jury president, it's "normal" for male/female actors be jury president, BUT it is not normal for Meryl Streep to be a jury president! LOL! Believe I'm not alone with that or similar feeling. Sigh.

As in every festival opening ceremony the best part are the film clips and this time there were three segments with all the films in the selection, in and out of competition. Caught at least 2 films that suggest will have great visuals, which makes me very happy as know they have become must-be-seen for me.

So, #Berlinale2016 is open and the great cinema feast is just starting with great films in the Selection as well as in the other festival sections.

News

#Berlin2016 Screen's Dailies

Day 1



THR Day 1 Daily



Neil Young's Film Lounge
Berlinale 2016: Golden Bear Odds - Published February 9th, 2016
7-2: Soy Nero (Pitts; 120m; Germany/Fr/Mex)
5-1: Things To Come (Hansen-Løve; 100m; France/Ger)
13-2: 24 Weeks (Berrached; 102m; Germany)
9-1: A Lullaby to the Sorrowful Mystery (Diaz; 485m; Philippines/Sin)

12-1: Death in Sarajevo (Tanović; 85m; Bosnia-Herzegovina/France)
14-1: Fire at Sea (Rosi; 108m; Italy/Fr)
14-1: Hedi (Ben Attia; 88m; Tunisia/Bel/Fr)
14-1: Letters From War (Ferreira; 105m; Portugal)
16-1: Crosscurrent (Yang; 116m; China)
16-1: Boris Without Béatrice (Côté; 93m; Canada)
16-1: United States of Love (Wasilewski; 104m; Poland/Swe)

25-1: Midnight Special (Nichols; 112m; USA)
25-1: Being 17 (Téchiné; 116m; France)
25-1: Genius (Grandage; 104m; UK/USA)
25-1: A Dragon Arrives! (Haghighi; 107m; Iran)

33-1: Zero Days (Gibney; 116m; USA)
40-1: The Commune (Vinterberg; 111m; Denmark/Swe/Net)
50-1: Alone in Berlin (Perez; 103m; Germany/Fr/GB)

Photos

The International Jury


Madame President


Hail Caesar! Photos

The Photocall


The Press Conference


The Red Carpet


The Best Portrait up-to-this-moment


Day 2 at #Berlinale2016 - In Progress

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Day 2 post begins now.



#Berlinale2016 Screen's Dailies

Day 2



THR Day 2 Daily

2016 Writers Guild Awards Winners

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Early yesterday night Eastern time the guild announced the original screenplay winner and my reaction was "alright here we go". Seems it took them a very long time to announce the adapted screenplay as after checking and checking finally fall asleep and wasn't until this morning that learned the winner and my reaction was a big sigh. I was hoping for this progressive guild to honor a female writer but no it didn't happen and once again Carol was shutout.

So two films with stories that should be told in movies that needed to spice up the tension for viewers to recall the important message once they left the movie theater won and indeed foresee them as the two strong top contender for the Oscars in quite a few categories including the top award.


Then is a fact that this year guilds are honoring more interesting TV series than feature films as winners from last night include one TV series that if you binge watching season 1, one episode after the other, feels/looks like a very good movie, fantastic Mr. Robot. Congrats.

To learn winners in TV and other categories go official site here. Winners are in *BLUE.

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1/6/16
Today the Writers Guild of America, East (WGAE) and the Writers Guild of America, West (WGAW) announced the nominations for outstanding achievement in writing for the screen during 2015. Before going further into the nominations let be clear that if Carol script was not among the nominees then I will go up the rage scale, but YES! Carol has a nomination in the adapted script category.

Some could be surprised by the omissions but before you go up the roof suggest to read the following paragraphs.

According to Variety, there are 61 titles up for consideration in the original category and 51 in the adapted side but as happens every year the omissions are what calls everyone's attention. Omissions due to guild regulations that require writer to be a WGA member or the production to be signatory with guild. There are more original screenplay omissions than adapted and the most notable is Quentin Tarantino's latest as he's not a WGA member; also animated production companies and foreign productions often eschew the guild paperwork.

So not eligible are high profile films like Ex Machina, Mad Max: Fury Road, Room, The Danish Girl, Anomalisa, Brooklyn, 45 Years, and more. Still we know writer doesn't have to be WGA member to have screenplay consider for an Oscar nomination, so still is an open race but some films will not get a much needed boost from this guild.

Original Screenplay
Matt Charman, Ethan Coen and Joel Coen for Bridge of Spies
Taylor Sheridan for Sicario
*Josh Singer and Tom McCarthy for Spotlight
Screenplay by Jonathan Herman and Andrea Berloff; Story by S. Leigh Savidge & Alan Wenkus and Andrea Berloff for Straight Outta Compton
Amy Schumer for Trainwreck

Adapted Screenplay
*The Big Short, Screenplay by Charles Randolph and Adam McKay; Based on the Book by Michael Lewis.
Carol, Screenplay by Phyllis Nagy; Based on the Novel "The Price of Salt" by Patricia Highsmith
The Martian, Screenplay by Drew Goddard; Based on the Novel by Andy Weir
Steve Jobs, Screenplay by Aaron Sorkin; Based on the Book by Walter Isaacson
Trumbo, Written by John McNamara; Based on the Biography by Bruce Cook

Documentary Screenplay
Robert Cohen for Being Canadian
*Alex Gibney for Going Clear: Scientology and the Prison of Belief
Brett Morgen for Kurt Cobain: Montage of Heck
Amy J. Berg for Prophet's Prey

To check nominees in TV, New Media, Radio and more categories go official site here.

Feature films eligible for a Writers Guild Award were exhibited theatrically for at least one week in Los Angeles during 2015 and were written under the WGA’s Minimum Basic Agreement (MBA) or under a bona fide collective bargaining agreement of the Writers Guild of Canada, Writers Guild of Great Britain, Irish Playwrights & Screenwriters Guild, or the New Zealand Writers Guild. Theatrical screenplays produced under the jurisdiction of the WGA or an affiliate Guild must have been submitted for Writers Guild Awards consideration.

Documentaries eligible for a Writers Guild Award featured an onscreen writing credit and were exhibited theatrically in Los Angeles or New York for one week during 2015. Theatrical documentaries must have been produced under the jurisdiction of the WGA or an affiliate Guild to be eligible for awards consideration.

The Writers Guild Awards honor outstanding writing in film, television, new media, videogames, news, radio, promotional, and graphic animation categories. Competitive awards will be presented at both the New York ceremony at the Edison Ballroom and the Los Angeles ceremony at the Hyatt Regency Century Plaza. The New York and Los Angeles ceremonies take place concurrently on February 13, 2016.

BAFTA Red Carpet Live

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The EE British Academy Film Awards take place on Sunday 14 February. Stephen Fry returns to host this year’s ceremony, which will be broadcast on BBC One at 9pm – preceded by a red carpet show on BBC Three at 8:30pm.

Please recall that show is NOT broadcast LIVE, so we will learn winners from twitter!!!

Watch LIVE streaming of Red Carpet.







2016 BAFTA Awards Winners

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Watching stream of award ceremony here.  Will wait until show is over but yes, I have a violent depression because my favorite movie, Carol,  got 9 nominations and zero awards.... grrrr.  Why? When is such a beautiful movie in many ways... sigh.

Most noticeable is the absence of awards to another extraordinary film, The Danish Girl, which is quite surprising and have to comment that is disturbing to think that the LGBT stories had something to do with the absence of honors.  Sigh.

The Revenant wins BIG with 5 awards followed closely by Mad Max: Fury Road with 4; the difference is that the first won top awards and the second tech awards. Up to this moment and according to pundits, Oscars top contenders for Best Film were Spotlight and The Big Short but now imagine that there are three strong contenders and perhaps The Revenant has just jump to the first place as a contender. My problem is that not rooting for any of these three films so no matter which wins I'm not interested, sigh.

Winners are in *BLUE.

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1/8/16
Finally today we get a better glimpse of what the industry is honoring this year as by now we have a clearer view of what film critics think, what some American Guilds -with too many regulations- think and as of this moment what British Academy members will be honoring this year. Let's recall that some British Academy members are also American Academy members and these nominations always give a necessary boost to films and sometimes look like what Oscars could look.

Carol (yay!) and Bridge of Spies lead the pack with nine (9) nominations each followed by The Revenant with eight (8), Mad Max: Fury Road with seven (7), and with six (6) each Brooklyn and The Martian.  We can say that there are around 10 films that get the top nominations, but according to what Stephen Fry says, there are 30 films that have at least one nomination which is not bad at all and could suggest a great year for British film.

But then we notice that films with nominations in the top categories are not necessarily representative of British films as Guardian's Peter Bradshaw mentions when he writes: "... it is disappointing that no fully British film makes the actual best film category ..." and well, it is a fact that social media is having a blast yelling it to all the corners of the world. Here is another comment from social media "Sad to see a distinctive lack of British Films in the BAFTA's". Sigh. In a way I'm one that's glad as believe that major awards (Oscars and BAFTA's) nowadays honor less the local industry and more the world industry which I find more interesting even when sometimes becomes repetitive with both awards honoring the same movies.

There are many surprises but perhaps the best of all is Alicia Vikander being honored twice for her work in The Danish Girl and Ex Machina; then the biggest of all is Charlotte Rampling not honored in the Best Actress category and Tom Courtney absent from the Best Actor category. Also was hoping for Carey Mulligan being honored for her work in Suffragette or Far From the Madding Crowd.

In the end what I really want is to enjoy this feast of cinema honors that will have its climax on the awards ceremony on Sunday, February 14, 20016.

Best Film
The Big Short
Bridge of Spies
Carol
The Revenant
Spotlight

Outstanding British Film
45 Years
Amy
*Brooklyn
The Danish Girl
Ex Machina
The Lobster

Film Not In The English Language
The Assassin, Hou Hsiao-Hsien
Force Majeure, Ruben Östlund
Theeb, Naji Abu Nowar and Rupert LLoyd
Timbuktu, Abderrahmane Sissako
*Wild Tales, Damián Szifron

Documentary
*Amy
Cartel Land
He Named Me Malala
Listen to me Marlon
Sherpa

Animated Film
*Inside Out
Minions
Shaun The Sheep Movie

Director
Adam McKay for The Big Short
Steven Spielberg for Bridge of Spies
Todd Haynes for Carol
Ridley Scott for The Martian
*Alejandro Gonzalez Iñárritu for The Revenant

Outstanding Debut by a British Writer, Director or Producer
Alex Garland, director, for Ex Machina
Debbie Tucker Green, director and writer, for Second Coming
*Naji Abu Nowar, director and producer, and, Rupert Lloyd, producer, for Theeb
Sean McAllister, director and producer, and Elhum Shakerifar, producer for A Syrian Love Story
Stephen Fingleton, director and writer, for The Survivalist

Leading Actress
Alicia Vikander in The Danish Girl
*Brie Larson in Room
Cate Blanchett in Carol
Maggie Smith in The Lady in the Van
Saorise Ronan in Brooklyn

Supporting Actress
Alicia Vikander in Ex Machina
Jennifer Jason Leigh in The Hateful Eight
Julie Walters in Brooklyn
*Kate Winslet in Steve Jobs
Rooney Mara in Carol

Leading Actor
Bryan Cranston in Trumbo
Eddie Redmayne in The Danish Girl
*Leonardo DiCaprio in The Revenant
Matt Damon in The Martian
Michael Fassbender in Steve Jobs

Supporting Actor
Benicio del Toro in Sicario
Christian Bale in The Big Short
Idris Elba in Beasts of No Nation
Mark Rufalo in Spotlight
*Mark Rylance in Bridge of Spies

Original Screenplay
Matthew Charman, Ethan Coen and Joel Coen for Bridge of Spies
Alex Garland for Ex Machina
Quentin Tarantino for The Hateful Eight
Josh Cooley, Pete Docter and Meg LeFauve for Inside Out
*Tom McCarthy and Josh Singer for Spotlight

Adapted Screenplay
*Adam McKay and Charles Randolph for The Big Short
Nick Hornby for Brooklyn
Phylis Nagy for Carol
Emma Donoghue for Room
Aaron Sorkin for Steve Jobs

Original Music
Thomas Newman for Bridge of Spies
*Ennio Morricone for The Hateful Eight
Ryuichi Sakamoto and Carsten Nicolai for The Revenant
Jóhann Jóhannsson for Sicario
John Williams for Star Wars: The Force Awakens

Cinematography
Janusz Kamiński for Bridge of Spies
Ed Lachman for Carol
John Seale for Mad Max: Fury Road
*Emmanuel Lubezki for The Revenant
Roger Deakins for Sicario

Editing
Hank Corwin for The Big Short
Michael Kahn for Bridge of Spies
*Margaret Sixel for Mad Max: Fury Road
Pietro Scalia for The Martian
Stephen Mirrione for The Revenant

Production Design
Adam Stockhausen and Rena DeAngelo for Bridge of Spies
Judy Becker and Heather Loeffler for Carol
*Colin Gibson and Lisa Thompson for Mad Max: Fury Road
Arthur Max and Celia Bobak for The Martian
Rick Carter, Darren Gilford and Lee Sandales for Star Wars: The Force Awakens

Costume Design
Odile Dicks-Mireaux for Brooklyn
Sandy Powell for Carol
Sandy Powell for Cinderella
Paco Delgado for The Danish Girl
*Jenny Beavan for Mad Max: Fury Road

Make Up & Hair
Moma Ferguson and Lorraine Glynn for Brooklyn
Jerry De Carlo and Patricia Regan for Carol
Jan Sewell for The Danish Girl
*Lesley Vanderwalt and Damian Martin for Mad Max: Fury Road
Sian Grigg, Duncan Jarman and Robert Pandini for The Revenant

Sound
Drew Kunin, Richard Hymns, Andy Nelson and Gary Rydstrom for Bridge of Spies
Scott Hecker, Chris Jenkins, Mark Mangini, Ben Osmo, Gregg Rudloff and David White for Mad Max: Fury Road
Paul Massey, Mac Ruth, Oliver Tarney and Mark Taylor for The Martian
*Lon Bender, Chris Duesterdiek, Martin Hernandez, Frank A. Montaño, Jon Taylor and Randy Thom for The Revenant
David Acord, Andy Nelson, Christopher Scarabosio, Matthew Wood and Stuart Wilson for Star Wars: The Force Awakens

Special Visual Effects
Jake Morrison, Greg Steele, Dan Sudick and Alex Wuttke for Ant-Man
Mark Ardington, Sara Bennett, Paul Norris and Andrew Whitehurst for Ex Machina
Andrew Jackson, Dan Oliver, Tom Wood and Andy Williams for Mad Max: Fury Road
Chris Lawrence, Tim Ledbury, Richard Stammers and Steven Warner for The Martian
*Chris Corbould, Roger Guyett, Paul Kavanagh and Neal Scanlan for Star Wars: The Force Awakens

British Short Animation
*Edmond, Nina Gantz and Emilie Jouffroy
Manoman, Simon Cartwright and Kamilla Kristiane Hodol
Prologue, Richard Williams and Imogen Sutton

British Short Film
Elephant, Nick Helm, Alex Moody and Esther Smith
Mining Poems or Odes, Callum Ricen and Jack Cocker
*Operator, Caroline Bartleet and Rebecca Morgan
Over, Jörn Threlfall and Jeremy Bannister
Samuel-613, Billy Lumby and Cheyenne Conway

Rising Star in 2016
Bel Powley
Brie Larson
Dakota Johnson
*John Boyega
Taron Egerton

Outstanding Contribution to British Cinema: Angels Costumes
Fellowship RecipientSir Sidney Poitier

Most interesting is the note at the end of the official list, see what they say: "Nominations are correct at the time of going to print. BAFTA reserves the right to make changes to the names listed at any time up until 14 February 2016". Perhaps the note happens now that so many mistakes plague the entertainment industry (lol).

To check the list at official site go here to read pdf file or here for a friendlier look that includes film stills and trailers for major categories only.

Check video with Stephen Fry and Gugu Mbatha-Raw announcing the nominations.



If you wish to check reactions to the nominations, video has Xan Brooks, Rhianna Dillon and Jason Solomons talking to Zoë Ball.



30th Annual ASC Award Winners

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Yesterday the guild had their awards ceremony and it is official I'm in full downhill mode loosing interest in whoever wins whatever in the Oscars, sigh.  No surprises for many when The Revenant won top award.

Most interesting is the Spotlight award that in the first edition had a tie between magnificent Macbeth and outstanding Son of Saul.  To be honest all three nominees deserved an honor and would have been surprising if there was a three-way tie.

I'm glad to hear that extraordinary Vilmos Zigmond was honored during the night as he had a true remarkable career behind the camera. R.I.P.

To check winners in TV and other categories go official site here.

Winners are in *BLUE.

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1/13/16
Today the American Society of Cinematographers announced the nominees for the Spotlight Award which recognizes outstanding achievement in cinematography in a feature film that was exhibited at a film festival, internationally or in limited theatrical release.

These are the nominees:

*Adam Arkapaw for Macbeth
*Mátyás Erdély for Son of Saul
Cary Joji Fukunaga for Beasts of No Nation

Macbeth, directed by Justin Kurzel, premiered at the 2015 Cannes Film Festival and subsequently screened at several festivals around the world. It made its U.S. debut at the Mill Valley Film Festival.

Son of Saul, directed by László Nemes, also premiered at the 2015 Cannes Film Festival, where it won the Grand Jury Prize. It premiered in the U.S. at the Telluride Film Festival and went on to win the Bronze Frog at the Camerimage International Film Festival.

Beasts of No Nation, which Fukunaga also directed, premiered at the 2015 Venice Film Festival and made its U.S. debut at Telluride. It was the first original feature produced by Netflix, and it received a limited theatrical release and began streaming on Netflix on the same date.

All three cinematographers are first-time ASC Award nominees.  Had no idea Fukunaga was also the cinematographer as knew he directed, wrote screenplay and produced, but didn't pay attention to the cinematographer.  Great for him as he is a great director that also excels writing and behind the camera.

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1/6/16


Today, January 6th,  the American Society of Cinematographers (ASC) announced the nominations for feature film category and believe no one is surprised with the choices but many are commenting about the films that didn't grab a nomination like, for example, The Hateful Eight filmed in 70mm which is the very wide format once popular in the films of the 1950s and 1960s and even do can be a novelty nowadays there are not many theaters left with the capacity to screen this type of film. Also others have been complaining that the huge format is a bit wasted on a movie that is largely interiors. So maybe is no surprise when film got no ASC nomination.

The winner will be announced on Sunday, February 14 at the awards ceremony at the Hyatt Regency Century Plaza in Los Angeles.

Roger Deakins for Sicario
Janusz Kaminski for Bridge of Spies
Ed Lachman for Carol
*Emmanuel Lubezki for The Revenant
John Seale for Mad Max:Fury Road

It's hard not to notice that each of the nominated films represent a different genre and a masterfully distinct visual style, but agree that all have in common outstanding quality which visually delights many no mater the genre or style.  I'm very visual and many times have enjoyed films just because they are visually outstanding, no matter the story and sometimes, no matter dreadful performances or direction; that's the power of great cinematography for me.

All cinematographers are big names in the industry so there is no surprise when we review the following stats.

This is Deakins’ 14th ASC nomination. He won for Skyfall, The Shawshank Redemption and The Man Who Wasn’t There, and was also nominated for Unbroken, Prisoners, True Grit, The Reader (shared with Chris Menges, ASC, BSC), Revolutionary Road, The Assassination of Jesse James by the Coward Robert Ford, No Country for Old Men, Kundun, Fargo and O Brother, Where Art Thou?

This is Kaminski’s sixth ASC nomination, following Lincoln, The Diving Bell and the Butterfly, Saving Private Ryan, Amistad and Schindler’s List.

Lachman has been nominated for ASC Awards twice previously, in the theatrical-release category for Far from Heaven and in the MOW/miniseries category for HBO’s Mildred Pierce.

Lubezki has won the ASC Award in this category four times, for Birdman or (The Unexpected Virtue of Ignorance), Gravity, The Tree of Life and Children of Men. He was also nominated for Sleepy Hollow.

This is Seale’s fifth ASC nomination. He won for The English Patient and received additional nominations for Cold Mountain, The Perfect Storm and Rain Man.

I have no doubt that the Oscar winner has to come from the above five nominees and my vote absolutely goes to Carol as not often cinematography is used to generate -against complement- emotions and in Carol emotions started to pour with the use of outstanding cinematography, then the acting complemented the scene and together reached an intense emotional climax. Bravo.
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